To clarify, Kobalt is a publishing company collecting publishing (songwriter) royalties for songwriters. In truth, there is no one-size-fits-all music distribution company; the best digital distribution service depends on your personal or record label’s needs, wants, and priorities. (where they will pay your collaborators directly so you don’t have to deal with that headache). Upstream means that, because UMG can see all the Spinnup data they can jump on an artist that starts to catch and sign them. This all is not a huge deal as most of the other distributors don’t offer any kind of hands on service. Stem is run by CEO and co-founder Milana Rabkin. I was also excited about the potential to work with them on sync licensing opportunities as they claim their sync department is strong, however they decided that their sync team would not have success with our project so they didn’t take it on. Don R. Really a great platform! I had received more complaints about CD Baby’s customer support in the past 7 months than I had in the past 7 years. I included on the chart the categories that I deemed most important. So, if you’ve heard of LANDR you probably know them as an automated mastering service. AN ARTIST NAME This is the name you release music under. It’s completely data driven and artists have received $250 – $300,000 in advances from this program. They claim to be great at “throwing gasoline on the fire.” AWAL doesn’t offer much in terms of personal support from the get-go, BUT if you start to catch, they can offer you marketing support (money for PR, radio plugging, etc) and pitch you to playlists. Companies have been acquired (Believe bought TuneCore, Downtown bought CD Baby) and others have gone under. Philip (known as @pud by the Silicon Valley community) was once on the cover of Inc. and Fast Company magazines for his early 2000s blog F*cked Company. ... It’s helpful to me for knowing each every point about best digital music distribution company. If you continue to use this site we will assume that you are happy with it. Yearly fee for unlimited songs. While still in Beta, you can distribute your music free of charge, but when the full platform is launched, Level will take 8% from each of your release royalties. Join the movement! And potentially upstream you (if you’re a songwriter) to Kobalt and their in-house sync services (TV, ads, film, video game placements). Distrokid Music Distribution Review distrokid Quality Very easy set up and gets your music in to all these stores very quickly. These companies are just providing services. They don’t seem to have a sustainable business model. Make sense? By Ari Herstand. I had no illusions about our songs getting on any pop playlists or even New Music Friday. Well, artists need to know where to spend their marketing dollars. that their streaming numbers looked a bit peculiar for the past year. 5. Distrokid. Now, I know this is not typical. UnitedMasters has been making waves the past couple years. Pros. You have to pick one for each release. The focus of Spinnup is very European – not UK or US. “Artists don’t typically know that they are being pushed,” Steve told me. If you need more clarification on how royalties are broken down, read, I’m coming back to this review after initially including AWAL with a lot more hands on experience and personal anecdotes. You can, however, SWITCH distributors if you need to. Joel assured me that they are working on this. They want to keep their reputation high with the DSPs. They offer lossless music … But if I know I can spend $500 in Facebook ads targeting listeners in India and get $1,000 back from streaming revenue, you better believe I’m going to do that. They don’t take any fees for putting up your music on streaming services, but charge a 15% commission (15% of everything you earn goes to AWAL). By far. If we see something happening, we can give you funding the next day. ANSWER: Digital Service Provider, which is the generic term for streaming and download platforms like Spotify, Apple Music, Deezer, Google Play, Amazon Music, et al. They have a lot of mechanisms in place to help with marketing and promotion (for a fee). With every other distributor, this wouldn’t work because India pays so little (from Spotify), but paid so much from CD Baby. This can be a blessing and a curse. They have been reliable, I have had zero technical … CD Baby. Remember what I said about the culture and ethos of a company? The Complete Music Distribution Checklist Everything You Need to Sell & Stream Your Music Online You only get one chance to release a new song or album, so you want to do it right. When you sign up your single for distribution to Spotify, Apple Music, Amazon, and other digital music platforms, you should know that good distribution is about much more than pushing digital files from one place to another. “It’s about upward mobility. Similar to Stem and Amuse, I’m slightly wary of any investor-funded company because if they lose their investor(s) the company goes under. So, TuneCore has been around almost as long as CD Baby. AWAL might be for you if you’re trying to get your music on Spotify playlists. Kobalt is a very forward thinking (and powerful) publishing company. None. and all around brilliant dude, Derek Sivers. It lost its human touch and now TuneCore feels cold and detached. We’re a free music distribution service that was founded in 2015 by a global team of music industry experts with a mission to give control back to artists. CD Baby has been paying artists weekly for more than 20 years. I had no illusions about our songs getting on any pop playlists or even New Music Friday. Amuse started as an app-only distributor with no fees and no commission. Now, their backend analytics are ok. And their app is actually beautiful, intuitive and a very nice overview of Spotify, Apple Music and YouTube real-time stats. Price The Distrokid pricing makes it very attractive for both emerging artists at $19.99/yr and $79.99/Year for labels Our Rating This is my chosen music distribution … The founder/CEO Steven Finch is originally from Australia and moved to London to run a recording studio. Record Union artists are charged per year for every music store or streaming platform they want their track added to and take 15% of all artist royalties. TuneCore’s analytics and sales reports are some of the best in the biz. This review is just taking a look at companies that will get your music into digital stores and streaming services, like Spotify, Apple Music, Tidal, Amazon, Pandora, Deezer, etc and NOT about stand alone, digital download, self-managed stores, like Bandcamp. UnitedMasters has been making waves the past couple years. And to support artists during the nightmare that is 2020, they are offering free distribution with 0% commission through the end of 2020. that can help you with the capital. And sources tell me that the TuneCore offices feel the same. A lot has changed since I posted my first digital distribution comparison article 7 years ago. Like Stem, it had payment splitting from the very start. They use FUGA for distribution which means they have access to FUGA’s power and higher streaming rates.. Who is the best digital distributor? If at all. 11 November 2020; MusicDiffusion NUMBER 1 music distribution in Google Search! 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